Chloe Ross, The Natural and the Imposed: The Presence of Barriers in Muriel Rukeyser’s “Waterlily Fire”
Fire is as much a tool and a representation of rebirth as it is a force of destruction. Water can represent the same, but also a freedom and a fear of the unknown. After all, who really knows what lurks under dark waters? Nothing in Muriel Rukeyser’s poem sequence “Waterlily Fire,” composed over the span of four years beginning in 1958 and published in 1962, exists in singularity, and the complex relationship she creates between fire and water is testament to that. Rukeyser presents her audience with a piece that opposes male artificiality with female nature, addressing the issue of [...]