Scholarship

Elisabeth Däumer, Context for “Waterlily Fire”

By Elisabeth Däumer, Eastern Michigan University Published 2012/05/10 Rukeyser composed this five-part poem over the span of four years (1958-1962) in response to a fire at New York City’s Museum of Modern Art, which destroyed two of Monet's Waterlily paintings, one of them an 18-foot long panel attached to the wall in the second-floor gallery. "As the blaze spread, the wall caught on fire, and the painting was almost completely consumed" (Life Magazine 1958, p. 56). Monet's 18-foot long Waterlily Painting destroyed at the Museum of Modern Art on April 15, 1958 Beloved by New Yorkers, the paintings [...]

2025-03-24T07:13:40+00:00May 10, 2022|Essays, Scholarship|0 Comments

Joely Byron Fitch, The Marks of Her Knowing: On Muriel Rukeyser’s “Käthe Kollwitz”

There’s a line in Muriel Rukeyser’s poem “Käthe Kollwitz” next to which I write: this, the center of everything. That line, from the five-part poem’s second section, reads: “A woman pouring her opposites.” The poem is better-known for a question that Rukeyser later asks, then immediately answers: “What would happen if one woman told the truth about her life? / The world would split open” (Muriel Rukeyser Reader 214, part 3, lines 25-26). These might well be Rukeyser’s most-quoted lines; they appear in some form as countless epigraphs, as the title of at least two anthologies, and in the pages [...]

2021-06-22T14:24:30+00:00June 1, 2021|Essays, Scholarship|0 Comments

Trudi Witonsky, Introducing Louise Kertesz, Friday February 19, 2021

I’m thrilled to introduce Louise Kertesz to you. I first came to read Muriel Rukeyser through Adrienne Rich’s poetry, and you get used to reading one sensibility, even as it evolves and breaks and innovates. But when you start reading someone new, someone as complicated as Rukeyser, it’s bewildering at first, and you need a guide. So, as many of you have done, I turned to Louise’s 1980 monograph, The Poetic Vision of Muriel Rukeyser, where as I read, I could see  the patterns of the themes and images and processes come into coherent shape. Louise had had to rely [...]

2023-09-04T17:26:01+00:00May 24, 2021|Essays, Scholarship|0 Comments

Louise Kertesz, “My Untamable Need”: Reading Rukeyser’s Elegies in Light of Some of Her Later Poems

Keynote Speech for the webinar Revisiting Muriel Rukeyser's Elegies in Times Like These, February 19, 2021. I wonder how many have come upon Rukeyser’s work – as I did —surprised that we’d not heard very much about her. In the early 1970s, I was a new PhD in English, reasonably acquainted with the work of despairing, self-destructive, suicidal poets (most of them men), whom critics and English courses focused on: Robert Lowell, Dylan Thomas, John Berryman, Randall Jarrell, Hart Crane, Theodore Roethke. The writing in this canon was undeniably brilliant. But after Berryman’s suicide in 1972 by jumping off a [...]

2025-08-20T18:51:20+00:00May 24, 2021|Essays, Scholarship|0 Comments

Chloe Ross, The Natural and the Imposed: The Presence of Barriers in Muriel Rukeyser’s “Waterlily Fire”

Fire is as much a tool and a representation of rebirth as it is a force of destruction. Water can represent the same, but also a freedom and a fear of the unknown. After all, who really knows what lurks under dark waters? Nothing in Muriel Rukeyser’s poem sequence “Waterlily Fire,” composed over the span of four years beginning in 1958 and published in 1962, exists in singularity, and the complex relationship she creates between fire and water is testament to that. Rukeyser presents her audience with a piece that opposes male artificiality with female nature, addressing the issue of [...]

2020-10-11T16:36:43+00:00October 11, 2020|Essays, Scholarship|0 Comments

Modina Jackson, Activism and Shared Consciousness in Muriel Rukeyser’s “Breaking Open”

“Most demonstrators and marchers did not worry over fine points of strategy; they were simply ‘against the war’” (Bricks and Phelps 141). This sentiment of undirected defiance resonated with the radicalism that emerged in the 1960s protests of the Vietnam War. Even more pertinent, the same sentiments reverberate today. When I was first writing this essay, in the fall of 2019, there had been several protests in Hong Kong throughout the entire year. The citizens of the Hong Kong Special Administrative Region of the People's Republic of China (HKSAR) were fighting for their democracy, which had been infringed upon by [...]

2020-10-11T16:33:20+00:00October 11, 2020|Essays, Scholarship|0 Comments

Vered Ornstein, The Blood is Justified

CHARACTERS MURIEL: Muriel Rukeyser. An activist and poet, Jewish. Begins the play in her mid-thirties. FRIEND 1: A friend of Muriel’s, any gender, Jewish. FRIEND 2: Same as Friend 1. FRIEND 3: An activist friend of Muriel’s, Black, any gender. NEWSCASTER: A radio host, male. PRIME MINISTER: A future nondescript Prime Minister of Israel, male. SCENE 1 A New York City apartment, May 14, 1948.                                                               Morning. A large clock on the wall shows that the time is just past 9 AM. A group of thirtysomethings is huddled around a radio at the kitchen table. The young adults listen intently [...]

2020-10-11T16:32:10+00:00October 11, 2020|Essays, Scholarship|1 Comment

Lily Pratt, Another Day in the Life of a Persevering Woman

6:00 AM The alarm clock begins its song and dance promptly as the time strikes six, ringing out and shaking Marie out of her dreams. She rubs her eyes open, forcing herself up and swinging her legs around and over the side of the bed. The sunlight sneaks its way through the translucent curtains, lighting up Marie’s small apartment with its golden dew, preparing the start of a new day. But first, coffee. After twenty silent minutes of steady caffeine consumption, Marie shuffles from her chair in the kitchen back to her bedroom. She sheds her comfy clothes, replacing them [...]

2020-11-23T14:22:57+00:00October 11, 2020|Essays, Scholarship|0 Comments
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